The Magical Tale of Hoshruba, a Dastangoi Classic
By Musharraf Ali Farooqi
US President Obama's Speech to the Muslim World, delivered June 4 2009 in Cairo, Egypt
The following is the text of President Obama's prepared remarks to the Muslim world, delivered on June 4, 2009, as released by the White House.
Art and the Islamic World: Toward a Deeper Understanding
Mahnaz Anwar Fancy
Music and Islam: A Deeper Look
By Hussein Rashid, Hofstra University
Aftertimes
A poem by Forugh Farrokhzad
Translated by Prof. Ahmad Karimi-Hakkak
Death shall come upon me one day,
In a spring brightened with waves of light,
In a winter foggy and far;
Or in an autumn void of howling and mirth!
Death shall come upon me one day,
On a day amidst these bitter-sweet days,
On an idle day much like other days;
Forugh Farrokhzad: A Landmark Iranian Artist, Revisited
Read a sample of Farrokhzad's work here.
Ahmad Karimi-Hakkak
Professor and Founding Director of the Center for Persian Studies
The University of Maryland
Urdu Poetry and the The Masnavi Tradition
By Asad ur Rahman
Sulayman Al-Bassam in the Arab Shakespeare Tradition
Margaret Litvin, Boston University
Arab Shakespeare: An Overview
The World of Persian Music and Poetry
Steve Blum, CUNY
The World of Abstracts: Parissa's Persian Music and the Rumi Poetry She Sings
With her soaring vocals and adherence to the classical style, Parissa has been heralded as one of the most important Persian musicians today. But the beauty of her music defies easy classification. Parissa is a traditional dastgah vocalist, or one who uses the system of Arabic maqām, the scales arranged to form the modes of Persian music.
Notes on Islam and Popular Musical Expression in West Africa
Ryan Thomas Skinner, Columbia University
Hearing Islam